Lunch with the FT: Old master
We had arranged to meet in his friend’s shoe shop in the opulent Taj Mahal Palace and Tower hotel in downtown Mumbai - which was somewhat ironic since M.F. Husain never wears shoes. But in a concession to convention, or the Mumbai winter, he is sporting black socks as he ambles to our restaurant upstairs, a sprightly 90-year-old, unmistakable with his white hair and beard and an 18-inch paint brush in his hand.
The socks and the brush, he says, are partly for effect - small symbols of a marketing instinct that, along with a prolific talent and boundless energy, has kept Husain in the vanguard of contemporary Indian art for the past half century.
The socks and the brush, he says, are partly for effect - small symbols of a marketing instinct that, along with a prolific talent and boundless energy, has kept Husain in the vanguard of contemporary Indian art for the past half century.
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